Lana Turner was arguably the most glamorous and popular movie star in the world for the better part of a decade, with her come-hither figure gracing World War II fighter planes and her complicated romantic exploits splashed across tabloid fanzines. Teamed with the thuggishly handsome John Garfield--a pretty big box-office draw himself--she made this 1946 adaptation of James M. Cain's pulp potboiler one of the steamiest films noir ever to define the genre. Garfield is a drifter named Frank who wanders into the Twin Oaks, a bedraggled roadhouse owned by the curmudgeonly Nick (Cecil Kellaway) and his smokin' hot wife Cora (Turner), a platinum bombshell with a penchant for white linen suits and shorts that are tailored to her creamy flesh like fuzz on a peach. It's lust at first site for Cora and Frank, and almost in spite of themselves they start wondering how to get rid of Nick, with rules from the Cain playbook of tawdry schemes whose clumsy fits and starts end up very badly.

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